A braccia conserte e luci spente,
la mano tende e si stende su un letto bianco
se il dito prende un lenzuolo nero
esula pensiero in un porto franco
ancora la sostanza che da forma al timoniero che
a chiare lettere mi è concesso di eccedere
mi è concesso di essere,
mi è concesso di leggere
leggere brevi minime
è l’incedere di lettighiere per l’intercedere di lievi anime.
Sembra un favola,
c’era un volta,
lupus in fabula
c’era un porta dai,
siediti a tavola
varca la soglia
facciamo due chiacchiere e versa dell’avola
che un po’ ne ho voglia.
Dammi due vocali Rimbaud
consonanti come ali, guardo il mondo dall’alto vol d’ausaux
ma a volte l’uso è pago a volte fraudolento
a volte mi rifugio adagio lento nel mio pago sottovento per
fuggire al ventiseiesimo abisso
dall’obliato d’uso comune all’obbligato riuso
sempre fluido sempre fisso.
Cambia l’agente, la gente comune
l’argomento d’agente ed efficiente
è il fluido suffisso.
E quando l’ombra di lei a luce fioca danza
hai un nodo nella gola
cerca suoni nella tasca,
l’imbarazzo passa.
Non stare col dire, nell’obliato del potrei
che al condizionale non c’è parola, non c’è mazzo e non c’è carta.
E se dormo o son desto,
non sogno l’arena ma un segno d’arena
con la voce d’Atena.
Che detto tra me e te può esser tutto o esser niente
ma l’arte della voce resta un segno permanente
e quando l’onda arriva sul bagnasciuga e la battigia porta via,
non disperare troppo non esiste l’afonia:
ogni passo, gesto e respiro è grafia,
simbolo di movimento dell’esistenza che è essenza di prosodia.
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